Archive for the “Installation” category

Altar Ego

by depart on April 9, 2010

Altar Ego by Depart – mixed media installation
V_port / Museumsquartier Q21,
28.03 – 30.04.2010


Thanks
Andreas Waldschütz & Thomas Rath (photography and video support), Patrick Glatthaar (hair), Steffi Lamm (makeup), Happy Lab

V_port
www.soundframe.at

I am sitting in a Room

by depart on September 25, 2008

depat
(photos by cornelia auinger)

“I Am Sitting In A Room”:

respiratoratorium room ringing resonant ruckus

performance for one performer, two loudspeakers, two microphones, on-body-projection and delicate sound balancing

duration: ca. 45 min.

original composition by Alvin Lucier (1970)

who’s talking when and where, hip or square, what moves the air ?

In the second incantation of the Reverb.On Series in 2008, DEPART and Richard Eigner devoted themselves to the piece „I Am Sitting In A Room“ by Alvin Lucier. This idiosyncratic electroacoustic composition summons a physical component of compact spaces, their inherent resonance.
A short text, which is selfreferential and recursive both on the room situation and itself, is spoken into a microphone, recorded and fed back into the room very closemouthed in a kind of acoustical mantra until the rooms own resonant frequency is overdubbing the initial signal beyond recognition.

Richard Eigner and Gregor Ladenhauf were responsible for the acoustic implementation of this concept that was first realised in 1969 by American composer Alvin Lucier (*1931).
Together with his DEPARTner Leonhard Lass, who is responsible for the visual translation of the piece, performer Gregor Ladenhauf adds to the piece as voice and screen at the same time. A speaker transforming into a projection screen of his own voice, gradually disappearing like this voice during the course of the composition.

original text:
„I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed.
What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have. ” (Lucier 1970)

“Using the ideas of Alvin Lucier’s piece “I Am Sitting In A Room”, Richard Eigner & DEPART unlocked the secret sounds of Schmiede Hallein’s fabulous spaces.”

,,Every room has its own melody, hiding there until it is made audible.”

„I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed.
What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have. ” (Lucier 1970)

Shown: September 22, 2008 at Schmiede Hallein, Salzburg, Austria

sound installation and soundboard control: Richard Eigner

video projection, programming, setdesign: Leonhard Lass

sound installation and performance: Gregor Ladenhauf

I am sitting in a room, schmiede08

I am sitting in a room, schmiede08 on Vimeo

Spy Collectives Iminami

by depart on Januar 3, 2008

Iminami (by the Spycollective) is a multiroom performance installation.
Drained brains swash in narrative tsunamis exhaling from the metamyth of the White Woman.
Audience-swarms with spread waterwings on the tideway from mother to smother get carried away by drowned voices.
This is fishy, oh buoy.

Supported by Steim (Amsterdam), SARC (belfast) and ARGE Nonntal (Salzburg)

Iminami Trailer

Gespraum

by depart on November 3, 2007

UltimaveraNeu RotUltimaveraNeu RotNeu RotNeu Rot

“Gespraum”:

pathos of the inanimate in spatium mutans

installation piece (loop: video, sound)

duration: ca. 45 min.

broom, sweep sweep sweep the room.

rumbling & tumbling biedermeier blowup.

Passers-by look through a window into a (projected) rooom, which is undergoing a constant change. It shows an unstable situation that is seemingly stripped bare of temporality and causality. Furniture, books and other objects are in a tilted state or thrown in the air by unnamed forces, suddenly frozen still. Chairs bursting into flames, salt trickling from the ceiling, black beads bubbling up from an orifice in the parquet…

The constellation of objects in the projected room is changing constantly in such a manner that only the outer frame of the room (walls, doors, windows) is keeping still. A moving picture where often the speed of mutation is barely noticeable. Due to the style of production the video has a kind of slightly unreal quality, a doll’s house aesthetics maybe. There is no real reference of size and so an interpretation of the video as a documentary of real events is also constantly in doubt.

A room as an output of the subconscious. The “Gespraum”, a psychoanalytic talk of a room with itself. No tangible story, no plot can be really exemplified here, only suspected and interpreted. There are no actors, so the objects are consequently becoming independent. For want of any human presence, quite literally, “things are in a state of flux”.There is also a scent of the uncanny, the make-believe suspension of gravity, the anxiety and deadlock of romanticism and slightly unreal shadowplay reminding of the vampire genre. The viewer is throwing the voyeuristic glance into a chamber that is free of all subjects and allowed to be the actor itself.

Gespraum Neu Rot

My Myo Mayhem

by depart on Juni 12, 2007

emperor portrait with whistleRising Emperor ProjectionShocking PerformerSecretaviaryFeelerChairmanThird Hand VisionRitualPerformer The Walls Have Eyes

“My Myo Mayhem”:

a platonian cave canem kafkaesque coffin break kammerspiel

performance installation piece for three performers, myoelectrical stimulation, a chicken called Tesla, video & sound.
duration of one cycle ca. 15 minutes

imperial chickensouperpowers for the white room-o-botter

what happens: groups of 10 people are lead into an anteroom where they are ordered to sit and wait. a strange person behind a counter is giving out questionaries and calling people to the desk in random order. this character is mutating over the duration of the whole piece from casual guy to kafkaesque clerk to lunatic to chicken. every 5 minutes one person is admitted to an adjoining room where an attendant is showing them about. a puppet emperor and his rural adventures are presented on screens while a glimpse into an overhead orifice provides an inverse cage perspective on the confetti chicken. the gloomy atmosphere of the first two rooms is followed by an eery transition to the center stage. There, the “emperor” is performing his private little hatching dance, controlled and hardsynced to the installation soundtrack by a mystical myoelectrical device dangling around his neck. after this shocking galvanic experience, the lounge room is a chill out, big brother-like situation with a cctv tablecloth, walls with eyes and gin & tonic served by lovely ladies. the audience members meet again and, while discussing their own experiences, are able to watch others still on the tour and enjoy the joint joyful noises unto the creator from all the performance rooms.

First installment shown at Amsterdam Hogeschool, Amsterdam, Netherlands

Final version first shown at ARGEkultur, Salzburg, Austria

Further installments with slight variations:

Staatsschauspiel Dresden, Dresden/Germany

Cabaret Voltaire, Zurich/Switzerland

Performers: Georg Hobmeier, Gregor Ladenhauf

Concept: DEPART and Senselabor

Video, Sound, Programming, Production Design: DEPART

My Myo Mayhem Trailer